For over two decades, Dan Freene ACS has been at the forefront of TV commercial production across the Asia Pacific region. His extensive experience and creative vision have led him to collaborate with a diverse array of prestigious brands, including Meta, Coca-Cola, and Land Rover.
Through his career, Dan has consistently pushed the boundaries of what is possible in TV commercial production, delivering work that resonates with audiences and elevates the brands he partners with, combined with his technical expertise and artistic sensibility, has made him a sought-after cinematographer in the commercial space.
Commercial for META
Agency Now We Collide
Directed by Toby Morris
Motion control by D2
Grip Toby Copping
Gaffer Matt Wilson
Shot on Arri LF
Lenses Arri Signature Primes
Four Football codes. A bucket load of fancy footy boots, a hundred thousand digital extras, and a whole lot of blood, sweat, and tears.
Directed by Myles Conti
Produced by Karl Conti
VFX by FIN Design
Shot on 6K Red Weapon, with Canon Cine Primes
Craig Parry is one of Australia's top Wildlife Photographers. Watch Craig search for his most elusive subject yet.
Directed by Richard Vilensky
Production Company The Precinct Studios
Shot on location in South Australia.
ACS AWARD WINNER 2018
Arri Alexa, Zeiss Masterprime Lenses
Director - Connor Gilhooly
DOP - Dan Freene ACS
Production house - Clubhouse Films
Post-Production - Kantana Vietnam.
Agency - Phibious
Client - Vietnamobile
A Goat, Two Chefs, and a whole lot of talent. A yummy day in the office...
Co-Directed by Dan Freene ACS and Henry Motteram
Produced by The Precinct Studios
Phantom Flex 4K, Arri Alexa, Master Macro, Zeiss Macro, and the wierd and wonderful Frazier Snorkel Lens System.
Meat and Livestock Association gave us two great Sydney Chefs and asked them to create a dish each using Goat. A messy and yummy day in the Studio...
Shot and C0-Directed by Dan Freene ACS.
Phantom 4K Flex. Arri Alexa. Frazier Lens System. Zeiss 100mm Macro
Commercial for Whats App Global
Agency Now We Collide
Directed by Toby Morris
Motion control by D2
Grip Toby Copping
Gaffer Matt Wilson
Shot on Arri LF
Lenses Arri Signature Primes
The All New Landrover Discovery 5 Halls 100 Tonnes ofTruck across the Australian Outback.
Directed by Richard Vilensky
Production Company The Precinct Studios
Arri Alexa & Arri Master primes.
One Car. 4 Full sized Roadtrains in the Australian Outback.
Activa TVC Vietnam
Director Nicolas Salis
Produced by Clubhouse Films
Agency Lowe and Partners.
Red Epic 5K. Zeiss Ultraprimes.
ACS AWARD WINNER 2018
The All New Landrover Discovery 5 put to the test in the Australian Outback.
Directed by Richard Vilensky
Production Company The Precinct Studios
Arri Alexa Mini. Arri Master primes.
The all new Landrover Discovery 5, put through its paces in the harsh Australian Outback. Shot in Arnham Land in Northern Territory, The Red Centre, Coffin Bay, The Great Australian Bight in South Australia, and the the rugged South Coast of New South Wales.
Client: Suzuki Australia
Production Company – FINCH
Director: Toby Pike
Arri Mini. Lenses Panavision - Anamorphic G series
Press:
Produced by Karl Conti
Directed by Myles Conti
DOP Dan Freene ACS
Directed by Myles Conti.
Produced by Karl Conti.
Creative Director Luke Brockhurst.
Produced by Conti Bros Films.
VFX by Fin Design.
Red Dragon 6K, Arri Alexa RAW, Red Scarlett. Cooke S5's.
There's no such thing as a simple task for those struggling to survive in Syria.
Director Kevin Lim
Producer Tracey Lee-Purnell
Production company Filmgraphics
Creative Agency Longtail
16 million views on Facebook
Arri Alexa. Cooke S4's
Amnesty International Australia
There's no such thing as a simple task for those struggling to survive in Syria.
Directed by Kevin Lim
Produced by Film Graphics
18 million hits on You Tube.
Produced by Will O'Rourke
Directed by Toby & Pete
Arri Alexa. Arri Master Primes. Arri Alura Zooms 18-80mm 45-250mm
Directed by Toby & Pete
